Updated on Dec 17, 2020
If you’re looking for the best ribbon microphones on the market, you’ve come to the right place. While less common than your standard condenser and dynamic mics, the market still has a wide range of options for these, and it can be very confusing to find a good choice if you don’t know what to look for.
We’ve rounded up some of our favorite options for you to read about and make the best decision for your next purchase. Because we all have varying budgets, we picked options from different price ranges and compared them with their closest competitors to ensure you’re getting the best bang for your buck.
By the end of this article, you’ll not only know the best options, but you’ll have gained some serious knowledge about ribbon microphones in general. Without further due, let’s get into it, starting with one of my favorites from Audio-Technica.
The Audio-Technica AT4081 is one of the best ribbon microphones I’ve ever used for audio recording. The price is relatively average for a ribbon mic, but the recordings you can make with this one is incredible, whether for vocals or instruments.
The Audio-Technica AT4081 uses a low-profile stick design for maximum versatility in terms of placement. This is similar to how boom microphones work, as it limits the bulkiness that a lot of other studio microphones have.
Audio-Technica uses 18 patent-pending designs including a proprietary micro-linear ribbon imprint that offers superior durability. The dual-ribbon construct increases the level of sensitivity, which means more depth & richness to your audio.
The Shure KSM313/NE is my favorite ribbon microphone, by far. I have it listed as number 2 because of the high cost, but wow is this a powerful mic. I’ve been using one for a while now, as I wanted to hop on the whole “ribbon microphone” wagon, and have to say, it sounds so good on vocals.
The Shure KSM313/NE uses a bi-directional polar pattern, which helps produce superior sounding audio with the some of the best off-axis rejection you could ask for. The frequency response rate of 30 to 15000Hz with an SPL of 146 offers superior transient response in vocals.
Similar to the Audio-Technica above, Shure put a lot of work into developing a high-end ribbon, which uses a proprietary roswellite ribbon material, rather than traditional foil ribbons, with offering incredible durability & shape. This allows the microphone to withstand extreme sound pressure levels (SPL).
The last thing I want to note is how beautiful the Shure KSM313/NE looks. The red grille around the capsule gives off such a unique vibe that we don’t always find in microphones. I’ve always been a big fan of mic aesthetic but find beauty’s like this hard to come by. Overall, this ribbon microphone sounds perfect, works great, and looks amazing.
The sE Electronics Voodoo VR1 ribbon microphone is much more affordable than others on this list, yet still sounds better than a lot of condenser microphones I’ve used.
The high sensitivity and wide range frequency response offer true depth in your recordings, allowing you to bring out the best from your vocals or instrument. I’ve been using the sE Electronics Voodoo VR1 for acoustic instrument recordings, and found it blows a lot of other microphones out of the water.
A unique factor in this ribbon microphone is that it excels on the high-end frequencies. The mechanical design allows the microphone to achieve an extended frequency response, giving you that crisp, natural sound from your highs. This is why I really like to use it for recording my acoustic guitar, though I imagine it’s great for cymbals too.
Overall, for a more affordable ribbon microphone, it has a lot going for it. I will say it veers off from the traditional “ribbon” style a bit, but that’s likely because they wanted to keep the mic under $500 while still standing out. I think they’ve done just that.
The Beyerdynamic M160 is another mid-range ribbon microphone that offers incredibly high-quality recordings. Using a hyper cardioid polar pattern, the microphone can focus on you, rather than the background.
Similar to the Audio-Technica AT4081, the Beyerdynamic M160 uses a dual-ribbon microphone transducer to maintain the highest possible quality, with an extended frequency response. This full range of frequencies makes the Beyerdynamic M160 very versatile, which is why you can use it for vocals, guitar cabs, and even the drums.
Like the sE Electronics Voodoo VR1, this microphone breaks away from the traditional “dark” sound, excelling on the high end. This led to popularity amongst classic rock bands, having this microphone featured by Led Zeppelin on their hit song “When The Levee Breaks”. That should speak volumes!
The Rode NTR is one of my favorite ribbon microphones thanks to the incredibly sensitive and high-quality capsule design.
What’s interesting about the Rode NTR is that it uses a bi-directional polar pattern, which results in a superior off-axis rejection. The frequency range is very wide, at 20 – 20,000Hz, which results in a deep, full & warm sounding audio.
While excelling on the high-end, the Rode NTR is also capable of recording more sensitive sound sources, and loud ones as well, with a maximum SPL of 130dB. The highly sensitive ribbon element offers an incredible transient response, giving your recordings superior accuracy.
The Avantone Pro C-14 is a highly affordable ribbon microphone with great sound and beautiful design. It uses similar features as some other high-end models and included multiple accessories.
The Avantone Pro C-14 uses a bi-directional polar pattern, giving it a narrow pickup angle for isolating a single voice. It’s also useful for instruments that are surrounded by other noise, as it helps keep the focus. It’s an interesting technique that isn’t used all too often.
The dual low-mass ribbon element offers incredible sensitivity, giving your recordings more depth and accuracy. The transient response is very rapid, so high vibration sound sources will be recorded with ease. The maximum SPL is 148dB, which gives the Avantone Pro C-14 an edge for loud sources.
Overall, it’s a great budget ribbon microphone. I’d choose it over comparably priced condenser microphones for vocals.
The Royer R-121 ribbon microphone is a well-known beastly mic, offering superior audio recordings in most settings.
One unique feature worth mentioning is their proprietary offset ribbon transducer, which is the first of its kind, that positions the ribbon element by the front of the capsule. This allows the ribbon more room to move within the magnetic field while keeping the full frequency response for high SPL recordings. In other words, this technology allows you to record loud sources with massive accuracy & depth as the ribbon has more space to move.
The frequency response rate is more in line with how ribbon microphones typically work, at 30- 15,000Hz. This range results in a warm, rich sound, very signature to ribbons.
Ribbon microphones are actually just a type of dynamic mic. The difference from the others is that they use a thin strip of metal within the capsule (for capturing sound waves) rather than a diaphragm attached to a moving coil. To understand this better, you first need to know how microphones catch sound waves and turn them into usable audio.
While the method of converting sound into electrical signals vary by the type of microphone, the general idea is that something within the capsule must be impacted by the soundwaves (from your voice, for example). Whatever this impact looks like will create some sort of movement within the microphone capsule, and the metals within convert this to electrical signals. So, let’s get a little more specific on how a ribbon microphone would do this.
A ribbon is a small sheet of metal suspended In the capsule, as we mentioned earlier. This metal is 50 times thinner than human hair, which is why it’s easily moved by your voice. This process is similar to how condenser microphones work, and so you’ll find ribbon mics to have great frequency response and rapid transient response. Their overall characteristics are much different, however.
Ribbon microphones are really interesting to work with and add a really unique and powerful sound to your recordings. It’s sad to see less and less on the market these days, but the ones we’ve listed for you sound amazing. I love working with ribbons for my own personal recordings, and if this is your first one, well congratulations! You’re going to love it.
If you were able to find what you were looking for from our list, let us know in the comments below. We’d love to hear how it’s working for you. If you have any suggestions you think we’ve missed, let us know, we’re always open to new ideas. Good luck!
Posted on Dec 13, 2020
Have questions for us? Email us at email@example.com