The 5 Best Blue Yeti Pop Filters | Musician Nerd

1. Blue The Pop Universal

The Blue Pop Filter is obviously a very popular choice thanks to the shared brand name. The rectangular design is also pretty unique and offers a cool aesthetic for your recording setup.

Blue The Pop Universal Pop Filter

In terms of how effective it is as a pop filter, I think you'll find the Blue Pop Filter does an excellent job at filtering out plosive sounds, softening up your B's, P's & T's. The noticeable distinction with this option is that it's made of metal, not as expected. On several occasions, I've run tests to see the actual difference between mesh pop filters and metal ones, and I'm going to share the few minimal details I've noticed with you.

I've noticed the metal and mesh options that the metal one allows more high frequencies to pass through. The effect of a plosive sound, in general, includes a lot of frequencies on the high-end, so it could be beneficial for you if you want that level of impact. I like to limit my high frequencies, but that's purely preference. Overall, great choice and has the Blue name.

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2. Aokeo Pop Filter

The Aokeo Pop Filter is a much more affordable option compared to the above. But don't let the low price fool you! This option has a lot of cool features, and you'll find it's very effective. For most beginners or those looking to save, pay attention!

Aokeo Professional Pop Filter

The Aokeo Pop Filter uses a dual-layer design, with the first blocking air blasts (the plosives) with space between the second layer, to trap that pressure. This is an interesting technique and certainly does the job. I was quite curious about it, as when building my pop filters, they didn't work as well. So I tried making one with two (spaced-out) layers, and it did make a difference!

When it comes to anything, I love the flexibility. My favorite feature, however, is the goose-neck design. If you do podcasting or anything that isn't traditional studio recording, it's a great pop filter to have since you can bend it around with your boom-arm stands.

The only real downside is it doesn't stay in place all the time. A pretty small price to pay, if you ask me.

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3. Moukey Metal Pop Filter

So, the last option had two layers and was made of mesh. The Moukey Metal Pop Filter uses 3 layers made out of metal! I know you must be dying to hear how it compares to the last choice with these drastic differences, and I can say that I did notice some differences, but they weren't crazy. Oh, did I mention it comes with a shock mount, too?

Moukey Metal Panel Pop Filter

The Moukey Metal Pop Filter is a u-shaped filter with 3 layers for offering you the maximum quality. The first layer is a large metal mesh, followed by a foam layer, finishing with a finer metal layer. The audio I tested came out clear, but more importantly, this filter is a lot more durable than the mesh options. I've been guilty of snapping the cheaper plastic options by accident, so it's nice to trust the physical quality of this pop filter.

The shock mount sweetens the pot for me, however. Shockmounts will absorb vibrations on your microphone, whether it's from the stand being bumped or just general swaying. These environmental noises can be just as harmful as plosives, so if you don't already have a shock mount, definitely give this pop filter some extra consideration. It's a great choice, and not very expensive!

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4. Aedor Foam Windscreen

This next option is slightly different from a pop filter but can still be quite effective and beneficial. The Aedor Foam Windscreen is going to protect both your microphone and your audio, as it can reduce background noise and protect the capsule from dust & moisture.

Aedor Foam Windscreen Pop Filter for Blue Yeti

I love windscreens for how they reduce the general background noise with condenser microphones. It also filters out plosives but with more high-frequency loss than other choices. For people doing voice-over work, this can be nice. I know YouTubers like to use it for that specific reason, especially if their voice is on the high side. Windscreens like the Aedor Foam Windscreen are also popular with podcasting mics such as the Shure SM7B, which comes with a windscreen in the box.

The last thing I want to say about this choice is that it was designed specifically for the Blue Yeti. If you have a base model, its going to fit perfectly over the capsule and look amazing.

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5. Sunmon Shock Mount With Pop Filter

Our last choice is a bit more pricey, but comes with a quality screen & a shock mount. If you want the best option, the Sunmon Shock Mount With Pop Filter might be for you.

Sunmon Shock Mount with Pop Filter For Blue Yeti

This option uses a professional pop filter that works just as great (if not better) than the others on this list. After several tests, I concluded that the pop filter has an outstanding balance with the high frequencies, giving off a natural sound. It's like you can't even tell it's there. The only downside is that it's not a great choice unless you know you're going to be using the shock mount, as it's designed to be screwed into it.

The shock mount is also of great quality. It's made with plastic, which isn't always the best, but the thin, lightweight design is impressive. Most shock mounts are thicker, and for plastic options, typically less durable. I found the Sunmon Shock Mount With Pop Filter to actually be really durable, not flimsy like others I've used in the past. In terms of how effective it is, I can't complain. I noticed some noise if I kick the microphone stand pretty hard, but what do you expect. Overall, this is the finest choice you'll find for under $50.

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